Framing the Fifties

Cinema in a Divided Germany
1. Auflage 2007
ISBN: 978-1-84545-204-9
Verlag: Berghahn Books

Buch, Englisch, Band 4, 260 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 529 g

Reihe: Film Europa

The demise of the New German Cinema and the return of popular cinema since the 1990s have led to a renewed interest in the postwar years and the complicated relationship between East and West German cinema in particular. A survey of the 1950s, as offered here for the first time, is therefore long overdue. Moving beyond the contempt for "Papa's Kino" and the nostalgia for the fifties found in much of the existing literature, this anthology explores new uncharted territories, traces hidden connections, discovers unknown treasures, and challenges conventional interpretations. Informed by cultural studies, gender studies, and the study of popular cinema, this anthology offers a more complete account by focusing on popular genres, famous stars, and dominant practices, by taking into account the complicated relationships between East vs. West German, German vs. European, and European vs. American cinemas; and by paying close attention to the economic and political conditions of film production and reception during this little-known period of German film history.

Autoren/Hrsg.

Davidson, John

Hake, Sabine

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Deutsche Geschichte
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Weltgeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte

Inhaltsverzeichnis

List of Illustrations

Introduction

Chapter 1. The Question of German Guilt and the “German Student”: Politicizing the Postwar University in Kortner’s Der Ruf and von Wangenheim’s Und wieder

Jaimey Fisher

Chapter 2. Returning Home: The Orientalist Spectacle of Fritz Lang’s Der Tiger von Eschnapur and Das indische Grabmal

Barbara Mennel

Chapter 3. The Passenger: Ambivalences of National Identity and Masculinity in the Star Persona of Peter van Eyck

Tim Bergfelder

Chapter 4. Helmut Käutner’s Epilog: Das Geheimnis der Orplid and the West German Detective Film of the 1950s

Yogini Joglekar

Chapter 5. Location Heimat: Tracking Refugee Images, from DEFA to the Heimatfilm

Johannes von Moltke

Chapter 6. "Great Truths and Minor Truths": Kurt Maetzig’s Ernst Thälmann Films, the Antifascism Myth, and the Politics of Biography in the German Democratic Republic

Russel Lemmons

Chapter 7. The First DEFA Fairy Tales: Cold War Fantasies of the 1950s

Marc Silberman

Chapter 8. Visualizing the Enemy: Representations of the “Other Germany” in Documentaries Produced by the FRG and GDR in the 1950s

Matthias Steinle

Chapter 9. The Treatment of the Past: Geza Radvanyi’s Der Arzt von Stalingrad and the West German War Film

Jennifer M. Kapczynski

Chapter 10. Film und Frau and the Female Spectator of 1950s West German Cinema

Hester Baer

Chapter 11. Reterritorializing Enjoyment in the Adenauer Era: Robert A. Stemmle’s Toxi

Angelica Fenner

Chapter 12. Allegories of Management: Norbert Schultze’s Sound Track for Das Mädchen

Rosemarie Larson Powell

Chapter 13. The Restructuring of the West German Film Industry in the 1950s

Knut Hickethier

Chapter 14. The Other "German" Cinema

Mary Wauchope

Works Cited

Filmography

Notes on Contributors

Index

Über Autor(innen)

Davidson, John
John Davidson is Director of the Program of Film Studies and Associate Professor of Germanic Languages and Literatures at the Ohio State University. His Deterritorializing the New German Cinema appeared in 1999, and he has published numerous articles on German film as well as political discourses and literary figures in cinema more generally. He serves on the editorial board of Studies in European Cinema (UK) and is currently working on a book project investigating cinema, labor, and mobility in twentieth-century Germany.

Hake, Sabine
Sabine Hake is the Texas Chair of German Literature and Culture in the Department of Germanic Studies at the University of Texas at Austin. She is the author of four books: German National Cinema (2002), Popular Cinema of the Third Reich (2001), The Cinema's Third Machine: German Writings on Film 1907-1933 (1993), Passions and Deceptions: The Early Films of Ernst Lubitsch (1992), as well as numerous articles on German film and Weimar culture. Her current book project deals with urban architecture and mass utopia in Weimar Berlin.

John Davidson is Director of the Program of Film Studies and Associate Professor of Germanic Languages and Literatures at the Ohio State University. His Deterritorializing the New German Cinema appeared in 1999, and he has published numerous articles on German film as well as political discourses and literary figures in cinema more generally. He serves on the editorial board of Studies in European Cinema (UK) and is currently working on a book project investigating cinema, labor, and mobility in twentieth-century Germany.