Buch, Englisch, 276 Seiten, Format (B × H): 156 mm x 234 mm
A New History
Buch, Englisch, 276 Seiten, Format (B × H): 156 mm x 234 mm
ISBN: 978-1-032-85694-0
Verlag: Taylor & Francis Ltd
Migrants from many backgrounds were instrumental in the establishment in 1956 of Australian television, working behind and in front of the cameras as producers, directors, writers, technicians and actors. From early broadcasting to the digital present, portrayals of cultural differences have often been shaped by appropriation, ethnic stereotyping and racism. This has occurred across a range of formats from drama to comedy to news and reality shows. Many in the industry have responded with resilience and creative adaptation, as they have increasingly taken control of the ways that migrant stories are told and diversity is celebrated.
The first comprehensive Australian study of migrants and television, this book considers the ways multicultural audiences have experienced the small screen over seven decades. Drawing on rich oral histories, it analyses the memories of television in the work, school, family life and leisure of migrant communities and their broader engagements with Australian culture. Research in the archives of broadcasters and production companies reveals how non-Anglo Australian characters were constructed, and how such portrayals have shifted. This new history takes us to digital screen production and consumption today, exploring how Australians of many diasporas engage with the global network of screen content in the twenty-first century. It is essential reading for media professionals, advocates, students and those interested in the intersections between media, cultural diversity and the nation.
Zielgruppe
Academic and General
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
1. Migration, television and Australian stories 2. Watching Australian television: ‘It’s just a bunch of white people’ 3. Representing diversity on Australian television 4. Migrants at work in Australian television 5. Writing migrant stories 6. Diverse identities on screen: Performers, actors and presenters 7. Migrants producing for diversity: From entrepreneurs to web producers 8. New ways of watching: Technology, screens and global media. Epilogue ‘But wait, there’s more!’: Looking ahead