Visible and Invisible Whiteness

American White Supremacy through the Cinematic Lens
1. Auflage 2018
ISBN: 978-3-319-76776-5
Verlag: Springer International Publishing

Buch, Englisch, 220 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 423 g

Visible and Invisible Whiteness examines the complicity between Classical Hollywood narratives or genres and representations of white supremacy in the cinema. Close readings of D.W. Griffith’s The Birth of a Nation by James Agee and James Baldwin explore these authors’ perspectives on the American mythologies which ground Griffith’s film. The intersectionality of Bordwell’s theories on Classical Hollywood Narrative versus Art Cinema and Richard Dyer’s seminal work on whiteness forms the theoretical base for the book. Featured films are those which have been undervalued or banned due to their hybrid natures with respect to Hollywood and Art Cinema techniques, such as Samuel Fuller’s White Dog and Jean Renoir’s The Southerner. The book offers comparative analyses of American studio-based directors as well as European and European émigrés directors. It appeals to scholars of Film Theory, African American and Whiteness Studies. It provides insight for readers concerned about the re-emergence of white supremacist tensions in contemporary America.

Zielgruppe

Research

Autoren/Hrsg.

Craven, Alice Mikal

Fachgebiete

• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Geisteswissenschaften Literaturwissenschaft Englische Literatur Amerikanische Literatur
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse

Inhaltsverzeichnis

1. Looking at American White Supremacy “Through a Glass Darkly”: Baldwin’s Critique of Birth of a Nation.- 2. “But Now I See”: James Agee on Birth of a Nation.- 3. Contending Visions: Imitation of Life According to John M. Stahl and Douglas Sirk.- 4. Forsaking Hollywood: Samuel Fuller’s “art house” White Dog.- 5. A Western by Any Other Name: Rainer Werner Fassbinder’s Whity.- 6. Cream Rises to the Top: Jean Renoir and William Faulkner’s The Southerner.- 7. Supremacy in Black Face: the Boris Vian-Michel Gast Controversy.- 8. Rachid Bouchareb’s Comparative Take on Supremacy.- 9. A Post-Racial Imaginary and the Structures of Cinema.

Über Autor(innen)

Alice Mikal Craven is Associate Professor of Comparative Literature and Chair of Film Studies at The American University of Paris, France. In addition to publications on selected authors and filmmakers featured in this volume, she is co-editor of Richard Wright: New Readings in the 21st Century (Palgrave 2011) and Richard Wright in a Post-Racial Imaginary (2014), which received a 2015 Outstanding Academic Title award from Choice magazine. She has been invited to give public interventions in Paris on films such as Selma and Dear White People, and on the Black American expatriate community’s perspective on the Franco-Algerian war.