Shaping Sound and Society

The Cultural Study of Musical Instruments
1. Auflage 2023
ISBN: 978-0-367-41755-0
Verlag: Routledge

Buch, Englisch, 270 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 575 g

Reihe: Routledge Research in Music

This volume brings together leading voices from the new wave of research on musical instruments to consider how we can connect the material aspects of instruments with their social function, approaches that have been otherwise too frequently separated in musical scholarship.

Shaping Sound and Society: The Cultural Study of Musical Instruments locates the instruments at the centre of cultural interactions. With contributions from ten scholars spanning a variety of methodologies and a wide range of both contemporary and historic music cultures, the volume is divided into three sections. Contributors discuss the relationships between makers, performers, and their local communities; the different meanings that instruments accrue as they travel over time and place; and the manner in which instruments throw new light on historic music cultures. Alongside the scholarly chapters, the volume also includes a selection of shorter interludes based on interviews with makers of comparatively new instruments, offering further insights into the process of musical instrument innovation.

An essential read for students and academics in the fields of music and ethnomusicology, this volume will also interest anyone looking to understand how the cultural interaction of musical instruments is deeply informed and influenced by social, technological, and cultural change.

Zielgruppe

Postgraduate

Autoren/Hrsg.

Cottrell, Stephen

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikethnologie
• Geisteswissenschaften Musikwissenschaft Musikinstrumente
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik

Inhaltsverzeichnis

Introduction: The Cultural Study of Musical Instruments – An Overview

Stephen Cottrell

Instrumental Interlude #1: The Skoog–Ben Schögler and David Skulina

Part I: Ecology, Production and Communities of Practice

1. The Social Production of a Mallorcan Bagpipe: Collaboration, Technology, Ecology and Internationalisation

Cassandre Balosso-Bardin

2. Feeling Analogue: Using Modular Synthesisers, Designing Synthesis Communities

Eliot Bates

3. Re-inventing the Herati Dutâr: Some Cultural and Social Repercussions

John Baily

4. Musical Instruments as Material Culture: A Case Study of the Cretan Lyra

Kevin Dawe

Instrumental Interlude #2: The Yaybahar–Görkem Sen

Instrumental Interlude #3: Eli Gras

Part II: The Circulation of Instruments

5. Charlie Parker, Massey Hall and Grafton 10265: Musical Instruments and the Telling of Tales

Stephen Cottrell

6. What’s in a Name?: Carving an Indian Identity into the Slide-Guitar

André J.P. Elias

7. Playing for God: Brass Instruments of the Moravian Brethren in the Atlantic World

Stewart Carter

Instrumental Interlude #4: The Fluid Piano–Geoffrey Smith

Instrumental Interlude #5: The Pikasso Guitar–Linda Manzer

Part III: Reframing History Through Instruments

8. Arcadian Tones: The Rise, Fall, and Rebirth of the Austrian Maultrommel

Deirdre Morgan

9. Musical Instruments as Traded Commodities: The Makers’ Perspective

Jenny Nex

10. Military Musical Instruments and the Culture of Perfection in the Long Nineteenth Century

Trevor Herbert

Über Autor(innen)

Stephen Cottrell is Professor of Music at City, University of London. His previous books include Professional Music-Making in London, The Saxophone, Defining the Discographic Self: Desert Island Discs in Context (co-edited with Julie Brown and Nicholas Cook), and Music, Dance, Anthropology.