Postfeminist Film & Literary Aesthetics

In Search of the Female Gaze
1. Auflage 2025
ISBN: 978-1-032-86628-4
Verlag: Taylor & Francis Ltd

Buch, Englisch, 214 Seiten, Format (B × H): 152 mm x 229 mm

Reihe: Routledge Studies in Contemporary Literature

Postfeminist Film and Literary Aesthetics: In Search of the Female Gaze represents a novel and comprehensive study of the aesthetic and affective textual innovations of women in the 21st century from a postfeminist perspective. The book both defines and helps shape the contours of four fast-growing critically and commercially popular modes—millennial film and fiction, metamodernism, an anti-narrative and decorative realm named here as ‘still life’, and new cli-fi—in which there is no clear male equivalent or in which women’s work can be read as a distinct aesthetic force. As the textual constellation of now is being mapped and its key texts being canonised, this book contributes to the current recentring of aesthetic taste that is occurring in both literature, film and surrounding criticism, making greater space for the appreciation of female aesthetics and for future inquiries in this field.

Zielgruppe

Postgraduate

Autoren/Hrsg.

Corbett, Alyce

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literarische Gattungen
• Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein Feminismus, Feministische Theorie

Inhaltsverzeichnis

Acknowledgements

1. Introduction: The Female Gaze     

1.1 Searching for the Female Gaze: A New Inquiry Into the Feminine

1.2 Postfeminist Film and Literary Aesthetics: Shaping a 21st Century Textual Constellation

2. Millennial Speak: The Postfeminist Project of the Self    

2.1 Greta Gerwig, Lady Bird (2017): Living Through Something  

2.2 Sally Rooney, Normal People (2018): Glittering with Talk  

3. Post-Postmodernism: The Postfeminist Fictive Reconfiguration of the Real          

3.1 Miranda July, Kajillionaire (2020): Transcendentalising the Humdrum         

3.2 Ali Smith, How to Be Both (2014): Eroding Narrative Boundaries       

4. Still Life: The Postfeminist Abnegation of Plot    

4.1 Sofia Coppola, Lost in Translation (2003): Designing not Directing          

4.2 Rachel Cusk, Outline (2014): Renovating the Novel        

5. New Cli-Fi: The Postfeminist Approach To The End Of The World           

5.1 Claire Denis, High Life (2018): Contriving Sensation and Strangeness      

5.2 Sophie Mackintosh, The Water Cure (2018): Inscribing Femininity in Darkness

6. Conclusions: The Future Of Female Aesthetics    

 

Index

Über Autor(innen)

Alyce Corbett is a recent graduate of the Autonomous University of Barcelona, where she earned a Cum Laude Doctorate in English Studies. Her early career research has focused on film and literary aesthetics, postfeminist representations, and contemporary women’s writing.