Buch, Englisch, Band 24, 271 Seiten, Format (B × H): 160 mm x 241 mm, Gewicht: 600 g
Reihe: Biosemiotics
Genesis and Prospectus
Buch, Englisch, Band 24, 271 Seiten, Format (B × H): 160 mm x 241 mm, Gewicht: 600 g
Reihe: Biosemiotics
ISBN: 978-3-030-72494-8
Verlag: Springer International Publishing
This volume is based to a large extent on the understanding of biosemioticliterary criticism as a semiotic-model-making enterprise. For Jurij Lotman and Thomas A. Sebeok, “nature writing is essentially a model of the relationship between humans and nature” (TimoMaran); biosemiotic literary criticism, itself a form of nature writing and thus itself an ecological-niche-making enterprise, will be considered to be a model of modeling, a model of nature naturing. Modes and models of analysis drawn from Thomas A. Sebeok and Marcel Danesi’s Forms of Meaning: Modeling Systems Theory and Semiotic Analysisas well as from Timo Maran’s work on “modeling the environment in literature,”Edwina Taborsky’s writing on Peircean semiosis, and, of course, Jesper Hoffmeyer’s formative work in biosemiotics are among the most important organizing elements for this volume.
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Sprachwissenschaft Sprachwissenschaften Semiotik
- Sozialwissenschaften Pädagogik Teildisziplinen der Pädagogik Gesundheitspädagogik, Umweltpädagogik
- Geisteswissenschaften Philosophie Semiotik
- Mathematik | Informatik EDV | Informatik Daten / Datenbanken Datenbankdesign & Datenbanktheorie
Weitere Infos & Material
Chapter 1: Introduction: The Genesis of Biosemiotic Literary Criticism: How the Future “Presents” the Past.- Chapter 2. Modeling Environments in Literature and Literary Criticism.- Chapter 3. Evolutionary Approaches to Biosemiotic Literary Criticism.- Chapter 4. Communicative Approaches to Biosemiotic Literary Criticism.- Chapter 5. Hierarchical Approaches to Biosemiotic Literary Criticism.- Chapter 6. Significational Approaches to Biosemiotic Literary Criticism.- Chapter 7. Analogical Approaches to Biosemiotic Literary Criticism.- Chapter 8. Epilogue: The Poet as Scientist.