Disability, the Body, and Radical Intellectuals in the Literature of the Civil War and Reconstruction

Erscheinungsjahr 2024
ISBN: 978-1-009-44269-5
Verlag: Cambridge University Press

Buch, Englisch, Band 194, 270 Seiten, Format (B × H): 150 mm x 221 mm, Gewicht: 522 g

Reihe: Cambridge Studies in American Literature and Culture

During the Civil War, hundreds of thousands of men were injured, and underwent amputation of hands, feet, limbs, fingers, and toes. As the war drew to a close, their disabled bodies came to represent the future of a nation that had been torn apart, and how it would be put back together again. In her authoritative and engagingly written new book, Sarah Chinn claims that amputation spoke both corporeally and metaphorically to radical white writers, ministers, and politicians about the need to attend to the losses of the Civil War by undertaking a real and actual Reconstruction that would make African Americans not just legal citizens but actual citizens of the United States. She traces this history, reviving little-known figures in the struggle for Black equality, and in so doing connecting the racial politics of 150 years ago with contemporary debates about justice and equity.

Autoren/Hrsg.

Chinn, Sarah E

Inhaltsverzeichnis

Introduction: a new kind of nation: Amputation, reconstruction, and the promise of black citizenship; 1. Giving up the ghost: the dead child vs. the amputated limb; 2. 'Strewn promiscuously about': limbs and what happens to them; 3. 1860 or 1865? Amending the national body; 4. 'I don't care a rag for the Union as it was': amputation, the past, and the work of the Freedmen's Bureau; 5. Shaking hands: manual politics and the end of reconstruction; Conclusion: Eloquent Emptiness.

Über Autor(innen)

Chinn, Sarah E
Sarah E. Chinn is Professor of English at Hunter College, CUNY. She is the author of three other books: Technology and the Logic of American Racism: A Cultural History of the Body as Evidence (2000), The Invention of Modern Adolescence: The Children of Immigrants in Turn-of-the-Century America (2007), and Spectacular Men: Race, Gender, and Nation on the Early American Stage (2017), which won the 2017 George Freedley Memorial Award for an exemplary work in the field of live theatre or performance from the American Theatre Library Association.