Buch, Englisch, 264 Seiten, Format (B × H): 161 mm x 238 mm, Gewicht: 621 g
Reihe: British Popular Cinema
Buch, Englisch, 264 Seiten, Format (B × H): 161 mm x 238 mm, Gewicht: 621 g
Reihe: British Popular Cinema
ISBN: 978-0-415-16869-4
Verlag: Taylor & Francis
* acclaimed recent crime films such as Shallow Grave, Shopping, and Face.
* early classics like They Made Me A Fugitive
* acknowledged classics such as Brighton Rock and The Long Good Friday
* 50s seminal works including The Lavender Hill Mob and The Ladykillers.
Zielgruppe
General
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
List if illustrations, Notes on contributors, Acknowledgements, Chapter 1: Parole overdue: releasing the British crime film into the critical community, Chapter 2: The censors and British gangland, 1913–1990, Chapter 3: Spin a dark web, Chapter 4: Outrage: No Orchids for Miss Blandish, Chapter 5: Men, women and money: masculinity in crisis in the British professional crime film 1946–1965, Chapter 6: The higher heel: women and the post-war British crime film, Chapter 7: The emergence of the British tough guy: Stanley Baker, masculinity and the crime thriller, Chapter 8: Ordinary people: 'New Wave' realism and the British crime film 1959–1963, Chapter 9: Performance: interview with Donald Cammell, Chapter 10: Mike Hodges discusses Get Carter with the NFT audience, 23 September 1997, Chapter 11: A revenger's tragedy – Get Carter, Chapter 12: Dog eat dog: The Squeeze and the Sweeney films, Chapter 13: Space in the British crime film, Chapter 14: Allegorising the nation: British gangster films of the 1980s, Chapter 15: From underworld to underclass: crime and British cinema in the 1990s, A filmography of British underworld films, 1939–1997, Index