Serious Fiction explores the novels of J.M. Coetzee, in dialogue with key works of the European literary tradition and several contemporary masterworks of world literature, in order to flesh out an ethico-aesthetic ideal for the contemporary novel. 'Serious' refers back to the Aristotelian definition of tragedy to revive a certain communal, political-ethical task of the artwork; 'fiction,' also referring back to Aristotle and the subsequent poetic tradition, stresses the element of play in the artwork in contrast to the seriousness of the world of daily survival, business, and life. Following post-Enlightenment thinkers from Schiller and Arnold to Leavis and Auerbach, as well as more contemporary literary theorists, the argument maintains a delicate balance between seriousness as a sort moral criterion of literary assessment and playfulness as a necessary stage in the creation of any artwork, adding the formal and epistemological obligations of the realist novel as the dominant literary genre of the long nineteenth century. Coetzee is presented as a contemporary model of serious fiction writing, balancing elements of realism and play/imagination, tragedy and the prosaic, aesthetic semi-autonomy and ethical responsibility. Major works by Coetzee are discussed – Waiting for the Barbarian, Life & Times of Michael K., Disgrace, Diary of a Bad Year – as well as other of his works, fictional and non-fictional, along with important traditional and contemporary works by Tolstoy, Dostoevsky, Joyce, Kakfa, and Beckett as well as Imre Kertész, W.G. Sebald, Eimear McBride, Cormac McCarthy, Jiang Rong, and others.
Chesney
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Weitere Infos & Material
Acknowledgments – Introduction – Models: Coetzee and the (Late) Modernist Legacy of Kafka and Beckett – Form: Generic Hybridity and the Claims of Fiction – Foucault, Coetzee, and the Power of Fiction – Humans Among the Other Animals: Planetarity, Responsibility, and Fiction in Disgrace and Wolf Totem – On the Road: The Childhood of Jesus and The Road – Notes – Works Cited – Index.
Duncan McColl Chesney is Associate Professor of Comparative Literature in the Department of Foreign Languages and Literatures of National Taiwan University in Taipei. He has a Ph.D. in comparative literature from Yale University and has published articles on Proust, Faulkner, Joyce, Beckett, Kafka, Coetzee, and various topics in film studies. His first book, Silence Nowhen: Late Modernism, Minimalism, and Silence in the Work of Samuel Beckett, was published in 2013 by Peter Lang.
