E-Book, Englisch, 656 Seiten, Format (B × H): 178 mm x 254 mm
Reihe: Weatherhead Books on Asia
abridged edition
E-Book, Englisch, 656 Seiten, Format (B × H): 178 mm x 254 mm
Reihe: Weatherhead Books on Asia
ISBN: 978-0-231-53554-0
Verlag: Columbia University Press
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
Chosen works from 1919 to 1990 also highlight the formation of national and gender identities during a period of tremendous social, cultural, and political change in China and the genesis of contemporary attitudes toward the West. PRC theater tracks the rise of communism, juxtaposing ideals of Chinese socialism against the sacrifices made for a new society. Post-Mao drama addresses the nation's socialist legacy, its attempt to reexamine its cultural roots, and postsocialist reflections on critical issues such as nation, class, gender, and collective memories. An essential, portable guide for easy reference and classroom use, this abridgment provides a concise yet well-rounded survey of China's theatricality and representation of political life. The original work not only established a canon of modern Chinese drama in the West but also made it available for the first time in English in a single volume.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Literaturen sonstiger Sprachräume Ost- & Südostasiatische Literatur
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft
- Geisteswissenschaften Literaturwissenschaft Literatur: Sammlungen, Anthologien
- Geisteswissenschaften Literaturwissenschaft Literatursoziologie, Gender Studies
Weitere Infos & Material
Acknowledgments
Introduction
1. Hu Shi, The Main Event in Life (1919), translated by Edward M. Gunn
2. Tian Han, The Night the Tiger Was Caught (1922--1923), translated by Jonathan S. Noble
3. Ouyang Yuqian, After Returning Home (1922), translated by Jonathan S. Noble
4. Ding Xilin, A Wasp (1923), translated by John B. Weinstein and Carsey Yee
5. Bai Wei, Breaking Out of Ghost Pagoda (1928), translated by Paul B. Foster
6. Cao Yu, Thunderstorm (1934), translated by Wang Tso-liang and A. C. Barnes, revised translation by Charles Qianzhi Wu, with a translation of prologue and epilogue
7. Xia Yan, Under Shanghai Eaves (1937), translated by George Hayden
8. Lao She, Teahouse (1958), translated by Ying Ruocheng, revised by Claire Conceison
9. Tian Han, Guan Hanqing (1958), retranslated by Amy Dooling
10. Chen Yun, The Young Generation (1965), translated by Constantine Tung and Kevin A. O'Connor
11. Weng Ouhong and A Jia, revised by the China Peking Opera Troupe, The Red Lantern (1970), translated by Brenda Austin and John B. Weinstein
12. Gao Xingjian, The Bus Stop (1983), translated by Shiao-Ling Yu
13. Sha Yexin, Jiang Qing and Her Husbands (1990), translated by Kirk A. Denton
Glossary
Contributors