Sound Practices in the Global South

Co-listening to Resounding Plurilogues
1. Auflage 2022
ISBN: 978-3-030-99731-1
Verlag: Springer International Publishing

Buch, Englisch, 516 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 788 g

This book develops a comprehensive understanding of the unique sound worlds of key regions in the Global South, through an auto-ethnographic method of self-reflective conversations with prominent sound practitioners from South Asia, Africa, the Middle East and Latin America. The conversations navigate various trajectories of sound practices, illuminating intricate sonic processes of listening, thinking through sounds, ideating, exposing, and performing with sound. This collection of conversations constitutes the main body of the book, including critical and scholarly commentaries on aural cultures, sound theory and production. The book builds a ground-up approach to nurturing knowledge about aural cultures and sonic aesthetics, moving beyond the Eurocentric focus of contemporary sound studies. Instead of understanding sound practices through consumption and entertainment, they are explored as complex cultural and aesthetic systems, working directly with the practitioners themselves, who largely contribute to the development of the sonic methodologies. Refocusing on the working methods of practitioners, the book reveals a tension between the West’s predominant colonial-consumerist cultures, and the collective desires of practitioners to resist colonial models of listening by expressing themselves in terms of their arts and craft, and their critical faculties.

Conversations with:

Clarence Barlow, Sandeep Bhagwati, Rajesh K. Mehta, Sharif Sehnaoui, Ximena Alarco´n Di´az, Hardi Kurda, Mario de Vega, Luka Mukhavele, Khyam Allami, Cedrik Fermont, Khaled Kaddal, David Velez, Juan Duarte, Youmna Saba, Abdellah M. Hassak, Mariana Marcassa, Amanda Gutie´rrez, Syma Tariq, Alma Laprida, Siamak Anvari, Mohamad Safa, Debashis Sinha, Zouheir Atbane, Constanza Bizraelli, Jatin Vidyarthi, Joseph Kamaru, Surabhi Saraf, Isuru Kumarasinghe, Hemant Sreekumar.

Zielgruppe

Research

Autoren/Hrsg.

Chattopadhyay, Budhaditya

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmproduktion, Filmtechnik
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre

Inhaltsverzeichnis

1. Introductory Soliloquy.- 2. Clarence Barlow.- 3. Sandeep Bhagwati.- 4. Rajesh K. Mehta.- 5. Sharif Sehnaoui.- 6. Ximena Alarco´n Di´az.- 7. Hardi Kurda.- 8.Mario de Vega.- 9. Luka Mukhavele.- 10. Khyam Allami.- 11. Cedrik Fermont.- 12.Khaled Kaddal.- 13.David Velez.- 14.Juan Duarte.- 15.Youmna Saba.- 16.Mariana Marcassa.- 17.Amanda Gutie´rrez.- 18. Abdellah M. Hassak.- 19. Syma Tariq.- 20. Siamak Anvari.- 21. Debashis Sinha.- 22. Mohamad Safa.- 23. Alma Laprida.- 24. Constanza Bizraelli.- 25. Zouheir Atbane.- 26. Jatin Vidyarthi.- 27. Surabhi Saraf.- 28. Joseph Kamaru.- 29. Hemant Sreekumar.- 30. Isuru Kumarasinghe.

Über Autor(innen)

Budhaditya Chattopadhyay is an Indian-born media artist, researcher, and writer, with a PhD in artistic research and sound studies from Leiden University, The Netherlands. Chattopadhyay is a professor at Critical Media Lab, Academy of Art and Design, University of Applied Sciences and Arts Northwestern Switzerland.