Buch, Englisch, Band 40, 220 Seiten, Format (B × H): 155 mm x 235 mm
Reihe: Saarbrücker Beiträge zur vergleichenden Literatur- und Kulturwissenschaft
Water Writing and modernity
Buch, Englisch, Band 40, 220 Seiten, Format (B × H): 155 mm x 235 mm
Reihe: Saarbrücker Beiträge zur vergleichenden Literatur- und Kulturwissenschaft
ISBN: 978-3-8260-3837-2
Verlag: Königshausen & Neumann
I. Capeloa Gil: Introduction – Part I - Water Writing and Modernity – M. Schmeling: Navigatio poetae: L’eau inspiratrice chez les écrivains de la modernité – H. Buescu: Water that Flows Up and Down the River. – M. Schmitz-Emans: Water Writing: Fluid Languages and the Voices of the Sea – I. Lopez: Beachfront Property for the American Navy: Vieques Island in Mayra Montero’s The Captain of Sleepers – B. Wolf: Robinson or the Nomos of the Sea – K. Joslin: Rachel Carson and the Song of the Sea – Part II - Fluid Cultures and Poetics – I. Capeloa Gil: Hydrography, or the Anxiety of the Sea. The Nautical Chart as a Cultural Model – A. Lopes: Liquid Translation: On the Portuguese (Sub)Version of Walter Scott’s The Pirate – O. Madany: The Sea and the Desert in Modern Egyptian Writing – T. Bailey: Listening to the Music of the Ompompanoosuc – T. Ferreira: The Woman and the Sea Beyond: On Sophia de Mello Breyner – A.-M. Aly: Iris Murdoch’s The Sea, The Sea as a Maritime Pastiche – J. Ferreira: The Portuguese Fishermen of Provincetown, Massachusetts: An Oral History – Introduction
