Buch, Englisch, 206 Seiten, Format (B × H): 142 mm x 224 mm, Gewicht: 345 g
Performance and Liminality in Early Modern Drama
Buch, Englisch, 206 Seiten, Format (B × H): 142 mm x 224 mm, Gewicht: 345 g
ISBN: 978-0-415-33442-6
Verlag: Taylor & Francis
While its most basic task is to seize the attention of a noisy audience, the prologue's more significant threshold position is used to usher spectators and actors through a rite of passage. Engaging competing claims, expectations and offerings, the prologue introduces, authorizes and, critically, straddles the worlds of the actual theatrical event and the 'counterfeit' world on stage. In this way, prologues occupy a unique and powerful position between two orders of cultural practice and perception.
Close readings of prologues by Shakespeare and his contemporaries, including Marlowe, Peele and Lyly, demonstrate the prologue's role in representing both the world in the play and playing in the world. Through their detailed examination of this remarkable form and its functions, the authors provide a fascinating perspective on early modern drama, a perspective that enriches our knowledge of the plays' socio-cultural context and their mode of theatrical address and action.
Zielgruppe
Postgraduate
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Chapter 1 The Elizabethan prologue; Chapter 2 Prologue as threshold and usher; Chapter 3 Authority and authorization in the pre-Shakespearean prologue; Chapter 4 3 Frivolous jestures versus matter of worth, Christopher Marlowe; Chapter 5 Kingly harp and iron pen in the playhouse, George Peele; Chapter 6 From hodge-podge to scene individable, John Lyly; Chapter 7 Henry V and the signs of power, William Shakespeare; Afterword; Notes; Index;
