Narrative Comprehension and Film

1. Auflage 1992
ISBN: 978-0-415-07512-1
Verlag: Routledge

Buch, Englisch, 342 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 521 g

Reihe: Sightlines

Narrative is one of the ways we organise and understnad the world. It is found everywhere: not only in films and books, but also in everday conversations and in the nonfictional discourses of journalists, historians, educators, psychologists, attorneys and many others.
Edward Branigan presents a telling exploration of the basic concepts of narrative theory and its relation to film - and literary - analysis, bringing together theories from linguistics and cognitive science, and applying them to the screen. Individual analyses of classical narratives form the basis of a complex study of every aspect of filmic fiction exploring, for example, subjectivity in Lady in the Lake, multiplicity in Letter from and Unknown Woman, post-modernism and documentary in Sans Soleil.

Autoren/Hrsg.

Branigan, Edward

Fachgebiete

• Sozialwissenschaften Medien- und Kommunikationswissenschaften Kommunikationswissenschaften
• Geisteswissenschaften Sprachwissenschaft Semantik & Pragmatik
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft

Inhaltsverzeichnis

1: Narrative Schema; 2: Story World and Screen; 3: Narration; 4: Levels of Narration; 5: Subjectivity; 6: Objectivity and Uncertainty; 7: Fiction

Über Autor(innen)

Edward Branigan