Buch, Englisch, 456 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 768 g
Body, Image, and Space in the Historical Avant-Gardes
Buch, Englisch, 456 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 768 g
Reihe: Oxford Studies in Dance Theory
ISBN: 978-0-19-991657-3
Verlag: Oxford University Press
The book looks at dance at the beginnings of the 20th century, the time during which modern dance first began to make its radical departure from the aesthetics of classical ballet. Brandstetter traces modern dance's connection to new innovations and trends in visual and literary arts to argue that modern dance is in fact the preeminent symbol of modernity. As Brandstetter demonstrates, the aesthetic renewal of dance vocabulary which was pursued by modern dancers on both sides of the Atlantic - Isadora Duncan and Loie Fuller, Valeska Gert and Oskar Schlemmer, Vaslav Nijinsky and Michel Fokine - unfurled itself in new ideas about gender and subjectivity in the arts more generally, thus reflecting the modern experience of life and the self-understanding of the individual as an individual.
As a whole, the book makes an important contribution to the theory of modernity.