world of music vol 13 (2024) 2 Access to Waxes

The collections from the Arab World of the Berlin Phonogram-Archiv II
1. Auflage 2025
ISBN: 978-3-86135-938-8
Verlag: VWB-Verlag für Wissenschaft und Bildung

Buch, Englisch, Deutsch, Band 13 (2024) 2, 106 Seiten, Format (B × H): 150 mm x 220 mm, Gewicht: 120 g

Reihe: the world of music (new series)

Introduction to WoM

the world of music (new series) is an
international scholarly journal dedicated to reporting and reflecting
current theoretical perspectives on and research in the field of the
world’s music and dance.

While every issue is designed to focus on a specific topic, the world of music (new series)
does not confine its attention to any single region or methodological
approach. We publish original, and sometimes challenging, contributions
from all over the world, aimed at musicologists and musicians, dance
researchers, anthropologists, cultural studies and post-colonial studies
scholars, and others.

The articles contained in the world of music (new series)
are informed by a variety of theoretical perspectives but devoted to a
shared goal: understanding the musics of the world, their histories, and
their manifold contexts. It is our aim to generate a productive and
creative dialogue between music researchers in disparate locations and
contexts.

Zielgruppe

scientific research, ethnomusic institutions.

Autoren/Hrsg.

Birgit, Abels

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik

Inhaltsverzeichnis

Content
Note from the Editor
Articles

Access to Waxes – The Collections from the Arab World of the Berlin Phonogramm-Archiv: Interdisciplinary Perspectives on Digitization and Open Access Publication IIArticles
Dörte Schmidt Data Diplomacy: “Access to Waxes” and the Need
for Negotiating Spaces. 5
Souheir I. Nadde The Berlin Phonogramm-Archiv Collections: Legal
framework from Arab Countries Perspective. 11
Christian Czychowski, Copyright issues: Sound Recordings from German
Lea Riechers Prisoner of War Camps of World War I and World
War II. 39
Lando Kirchmair Open Access Publication of the Historical Sound
Recordings of the Berlin Phonogramm-Archiv:

Arguments from Public International Law and
Cultural Ethics. 67
Mèhèza Kalibani Prolegomena to the Study of Historical Sound
Recordings from Colonial Contexts. 89
a journal of the department ofmusicology of the georg august university göttingenVol. 13 (2024) 2CONTENTS

Über Autor(innen)

Birgit, Abels
I studied Musicology (Christian Ahrens, Richard Widdess, Owen Wright) and Arabic and Islamic Studies (Gerhard Endreß, Stefan Reichmuth) at Ruhr University Bochum (Germany) and London’s School of Oriental and African Studies. Following the completion of my master’s degree at Bochum in 2004 and fieldwork in North India, I took up my doctoral studies. I received my doctoral degree from Ruhr University Bochum in 2007, having written my dissertation on the music and dance of Palau (Micronesia). I lived and conducted fieldwork in Palau from 2005 to 2008, after which I implemented a research project on the performing arts of the so-called sea-nomadic communities of the Southeast Asian island world, primarily the Sama Dilaut (Bajau Laut). I worked mostly in Borneo; my institutional affiliation was first with the International Institute for Asian Studies in Leiden (The Netherlands), and later with the University of Amsterdam. In March 2011, I was appointed full professor of cultural musicology at the Georg August University Göttingen (Germany). As of January 2012, I'm editor-in-chief of the world of music (new series) and full member of the Göttingen Academy of Sciences and Humanities in Lower Saxony.