Berndt / Koepnick Ambiguity in Contemporary Art and Theory

unverändertes eBook der 1. Auflage von 2018
ISBN: 978-3-7873-3426-1
Verlag: Felix Meiner
Format: PDF
Kopierschutz: 1 - PDF Watermark

E-Book, Englisch, Deutsch, Band 16, 220 Seiten

Reihe: Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, Sonderhefte

It has become commonplace to associate art and aesthetic experience with the category of ambiguity. Indeed, when we talk about art, we cannot do without the dynamic force of ambiguity just as the aesthetic itself cannot do without it. The great efforts to disambiguate aesthetic practices and their associated theories and contexts would eliminate art’s unique ability to reshape our knowledge of the world, our sensory encounters with it, and our moral or political positions in it.

The essays collected in this volume present different perspectives on this central category and develop interdisciplinary connections. Contributors include Frauke Berndt, Joy H. Calico, Stephan Kammer, Lutz Koepnick, Verena Krieger, Richard Langston, Rachel Mader, Lily Tonger-Erk, Gabriel Trop, and Thomas Wortmann.

Autoren/Hrsg.

Berndt, Frauke

Koepnick, Lutz

Fachgebiete

• Geisteswissenschaften Philosophie Ästhetik
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie

Inhaltsverzeichnis

1;Cover;1
2;Inhaltsverzeichnis/Contents;4
3;Ambiguity in Contemporary Art and Theory. Introduction (Frauke Berndt & Lutz Koepnick);6
4;PART 1: CONCEPTS;16
4.1;Zonen. Zur Konzeptualisierung von Ambiguität in derästhetischen Theorie (Frauke Berndt);18
4.2;Attraction and Ambiguity. Revisiting the Culture of the Concept (Gabriel Trop);40
4.3;Modes of Aesthetic Ambiguity in Contemporary Art. Conceptualizing Ambiguity in Art History (Verena Krieger);60
5;PART 2: AESTHETIC INTERVENTIONS;106
5.1;Framing Ambiguity. Contemporary Art Cinema and the Aesthetics of Blandness (Lutz Koepnick);108
5.2;Postrepresentational Visual Practice. Rabih Mroué and Hito Steyerl’s Probable Title: "Zero Probability" (Rachel Mader);124
5.3;Specters of Ambivalence. Notes on Alexander Kluge’s Ambiguous Forms (Richard Langston);136
5.4;Genre Designation as Ambiguating Force. Olga Neuwirth’s "Lost Highway" as Opera (Joy H. Calico);152
5.5;Ästhetik der Ambiguität. Oder: Wer oder was ist Christoph Schlingensief? (Thomas Wortmann);166
5.6;»Sie sind das Thema«. Ambiguität der Ansprache in Peter Handkes Sprechstück "Publikumsbeschimpfung" (Lily Tonger-Erk);186
5.7;Kunststoff. Die Ambiguität ›neuer Naturen‹ um 1970 (Stephan Kammer);204
6;Autorinnen und Autoren/Contributors;222

Über Autor(innen)

Koepnick, Lutz
Gertrude Conaway Vanderbilt Professor of German, Cinema and Media Arts Vanderbilt University (Nashville, USA)