Music in Theory and Practice Volume 2

10th Auflage
ISBN: 978-1-260-49355-9
Verlag: McGraw Hill LLC

Buch, Englisch, 400 Seiten, Format (B × H): 236 mm x 274 mm, Gewicht: 857 g

Autoren/Hrsg.

Benward, Bruce

Saker, Marilyn

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein

Inhaltsverzeichnis

Preface

Part C: The Renaissance And Baroque Periods
Chp. 18: Late Renaissance Polyphony
Chp. 19: Two-Voice Eighteenth Century Counterpoint
Chp. 20: The Fugue

Part D: Chromatic Harmony
Chp. 21: Borrowed Chords
Chp. 22: Neapolitan 6th Chords
Chp. 23: Augmented 6th Chords

Part E: The Classical Period

Chp. 24: Variation Technique
Chp. 25: Sonata Form
Chp. 26: Rondo Forms

Part F: Extended And Chromatic Harmony
Chp. 27: 9th,11th, and 13th Chords
Chp. 28: Altered Dominants
Chp. 29: Chromatic Mediants

Part G: The Nineteenth And Twentieth Centuries
Chp. 30: The Romantic Period

Chp. 31: The Post-Romantic Style
Chp. 32: Impressionism and Related Styles
Chp. 33: The Early Twentieth Century
Chp. 34: Pitch-Class Set Theory
Chp. 35: Twelve-Tone Technique
Postlude: Music Since 1945

Appendix G Summary of Part-Writing Practices
Appendix H Macro Analysis Symbols
Appendix I Popular Music Chord Symbols

Glossary
Credits
Index

Über Autor(innen)

Benward, Bruce
Bruce Benward has been widely regarded as one of the most gifted music theory pedagogues since his textbooks first appeared in the 1960s, and has exerted a wide influence on the teaching of music theory both through his writings and through the generation of teachers that he taught. He recently retired from the University of Wisconsin at Madison.