Lectures on Musical Life: William Sterndale Bennett

Erscheinungsjahr 2006
ISBN: 978-1-84383-272-0
Verlag: Boydell and Brewer

Buch, Englisch, Band 1, 192 Seiten, Print PDF, Format (B × H): 231 mm x 160 mm, Gewicht: 522 g

Reihe: Music in Britain, 1600-1900

Lectures by leading Victorian conductor and composer reveal much about musical life at the time.

An annotated critical edition of twelve lectures by William Sterndale Bennett [1816-75], the foremost English musician of the mid-Victorian period, principal of the Royal Academy, and conductor of the Philharmonic Society. Delivered at the London Institution and Cambridge University between 1858 and 1871, they are valuable both as representative of the Victorian understanding of musical history, and for Bennett's astute comments on the state of music andmusical life at the time. They include admonishments to the British government for failing to offer adequate financial support to the art; interesting and often surprising views on many contemporary composers; and discourses on his own experiences as a professional musician.
The lectures are presented with annotations which identify the persons, institutions and compositions referred to in the text. An extensive introduction sets the lectures in context and reflects on their significance to English musical history and to Bennett's personal career.
NICHOLAS TEMPERLEY is Professor of Music Emeritus at the University of Illinois.

Autoren/Hrsg.

Bennett, William Sterndale

Nicholas Temperley, Nicholas

Yang, Yunchung

Weitere Mitwirkende

Yang, Yunchung

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Romantik (ca. 1830-1900)

Inhaltsverzeichnis

Introduction
On the State of Music in English Private Society and the General Prospects of Music in the Future
On the Visits of Illustrious Foreign Musicians to England
On the Vocal Music of England
On the General Prospects of Music in England
[Dramatic Music] [Early Forms of Opera] On the Music for the Theatre by Belgian Composers
On the Music for the Theatre Composed by Natives of Italy
On the Music for the Theatre Composed by Natives of France
On the Music for the Theatre Composed by Natives of Germany
Music of the Present Time
Fashions in Music
Bach and Handel
Mozart
Appendix: Music for the Sheffield Lectures
Bibliography
Index