Modernism and Opera

Erscheinungsjahr 2016
ISBN: 978-1-4214-2062-2
Verlag: Johns Hopkins University Press

Buch, Englisch, 392 Seiten, Format (B × H): 162 mm x 234 mm, Gewicht: 654 g

Reihe: Hopkins Studies in Modernism

Many of the greatest works in the operatic repertoire bear the hallmarks of modernism.

At first glance, modernism and opera may seem like strange bedfellows—the former hostile to sentiment, the latter wearing its heart on its sleeve. And yet these apparent opposites attract: many operas are aesthetically avant-garde, politically subversive, and socially transgressive. From the proto-modernist strains of Richard Wagner’s Parsifal through the twenty-first-century modernism of Kaija Saariaho’s L’amour de loin, the duet between modernism and opera, at turns harmonious and dissonant, has been one of the central artistic events of modernity. Despite this centrality, scholars of modernist literature only rarely venture into opera, and music scholars generally return the favor by leaving literature to one side. But opera, that grand cauldron of the arts, demands that scholars, too, share the stage with one another.

In Modernism and Opera, Richard Begam and Matthew Wilson Smith bring together musicologists, literary critics, and theater scholars for the first time in a mutual endeavor to trace certain key moments in the history of modernism and opera. This innovative volume includes essays from some of the most notable scholars in their fields and covers works as diverse as Debussy’s Pelléas et Mélisande, Bartók’s Bluebeard’s Castle, Berg’s Wozzeck, Janácek’s Makropulos Case, Thomson’s Four Saints in Three Acts, Strauss’s Arabella, Schoenberg’s Moses und Aron, Stravinsky’s The Rake’s Progress, Britten’s Gloriana, and Messiaen’s Saint François d’Assise.

A collaborative study of the ultimate collaborative art form, Modernism and Opera reveals how modernism and opera illuminate each other and, more generally, the culture of the twentieth century. It also addresses a number of issues crucial for understanding the relation between modernism and opera, focusing in particular on intermediality (how modernism integrates music, literature, and drama into opera) and anti-theatricality (how opera responds to modernism’s apparent antipathy to theatricality). This captivating book—the first of its kind—will appeal to scholars of literature, music, theater, and modernity as well as to sophisticated opera lovers everywhere.

Autoren/Hrsg.

Begam, Richard

Smith, Matthew Wilson

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft
• Geisteswissenschaften Musikwissenschaft Musikgattungen Opernmusik
• Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik

Inhaltsverzeichnis

Acknowledgments

Richard Begam and Matthew Wilson Smith
Introduction

Part One
World War I and Before: Crises of Gender and Theatricality

1. Matthew Wilson Smith
"Laughing at the Redeemer: Kundry and the Paradox of Parsifal"

2. Daniel Albright
"Materlinck, Debussy and Modernism"

3. Klára Móricz
"Echoes of the Self: Cosmic Loneliness in Bartók's Duke Bluebeard's Castle"

Part Two
Interwar Modernism: Movement and Countermovement

4. Bryan Gilliam
"The Great War and Its Aftermath: Strauss
and Hofmannthal's 'Third-Way Modernism'"

5. Bernadette Meyler
"Adorno's Shifting Wozzeck"

6. Derek Katz
"Many Modernisms, Two Makropulos Cases:

Capek, Janácek and the Shifting Avant-Gardes of Inter-war Prague"

7. Richard Begam
"Schoenberg, Modernism and Degeneracy"

8. Cyrena Pondrom
"Gertrude Stein, Minimalism and Modern Opera"

Part Three
Opera after World War II: Tensions of Institutional Modernism

9. Herbert S. Lindenberger,
"Stravinsky, Auden and the Mid-Century Modernism of The Rake's Progress"

10. Irene Morra
"Gloriana and the New Elizabethan Age"

11. Linda and Michael Hutcheon
"One Saint in Eight Tableaux: The Untimely Modernism
of Olivier Messiaen's Saint François d'Assise"

12. Joy H. Calico
"Saariaho's L'amour de loin: Modernist Opera in the Twenty-First Century"

Notes on Contributors
Index

Über Autor(innen)

Begam, Richard
Richard Begam is a professor of English at the University of Wisconsin–Madison. He is the author of Samuel Beckett and the End of Modernity and the coeditor of Modernism and Colonialism: British and Irish Literature, 1899–1939.

Smith, Matthew Wilson
Matthew Wilson Smith is an associate professor of German studies and theater and performance studies at Stanford University. He is the author of The Total Work of Art: From Bayreuth to Cyberspace and the editor of Georg Büchner: The Major Works.

Richard Begam is a professor of English at the University of Wisconsin–Madison. He is the author of Samuel Beckett and the End of Modernity and the coeditor of Modernism and Colonialism: British and Irish Literature, 1899–1939. Matthew Wilson Smith is an associate professor of German studies and theater and performance studies at Stanford University. He is the author of The Total Work of Art: From Bayreuth to Cyberspace and the editor of Georg Büchner: The Major Works.