Live to Your Local Cinema

The Remarkable Rise of Livecasting
2013. Auflage 2012
ISBN: 978-1-137-28868-4
Verlag: Palgrave MacMillan UK

Buch, Englisch, 105 Seiten, Format (B × H): 145 mm x 221 mm, Gewicht: 272 g

The digital broadcasting of performances to cinemas, or 'livecasting', burst onto the world scene in 2006. This book explores the reasons for its rise, examines the aesthetics of filming theatre and opera performances, and explores who the audiences are and what they want.

Zielgruppe

Research

Autoren/Hrsg.

Barker, M.

Fachgebiete

• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften

Inhaltsverzeichnis

The Success-Story With No Name The Aesthetics of Livecasting A Portrait of Livecasts' Audiences The Many Meanings of 'Liveness' Livecasts' Audiences Talk about 'Liveness' The Cultural Status of Livecasts The Next Research Tasks? Bibliography

Über Autor(innen)

Martin Barker publishes extensively on topics as widely-ranging as censorship controversies, The Lord of the Rings, comic books and their readers, racism in contemporary Britain, and film audiences. After periods at the University of the West of England, Sussex and Aberystwyth, he is now Professor of Film & Television at the University of East Anglia, UK. Alongside his more academic work, he has conducted research for the British Board of Film Classification and worked with Picturehouse Cinemas.