Buch, Englisch, 324 Seiten, Paperback, Format (B × H): 152 mm x 229 mm, Gewicht: 491 g
A Companion
Buch, Englisch, 324 Seiten, Paperback, Format (B × H): 152 mm x 229 mm, Gewicht: 491 g
Reihe: Genre fiction and film companions
ISBN: 978-1-78997-736-3
Verlag: Peter Lang
(Professor Steffen Hantke, Sogang University, Seoul, author of Monsters in the Machine: Science Fiction Film and the Militarization of America after World War II)
Who are the Undead?
The twenty-first century is truly the age of the undead. They are no longer just vampires or zombies, but every kind of monster that can be imagined. More so, they not only live in the alien terrain of our imaginations or nightmares but are embedded into the very nature of our existence in the neverending catastrophe of the 2000s. Featuring leading scholars such as David Punter, Roger Luckhurst, Jeffrey Andrew Weinstock and Lorna Piatti-Farnell amongst many others, the 30 original essays in The Undead in the 21st Century: A Companion describe and explain how the various fears and anxieties we have around such things as contagion, the environment, geopolitics and even ageing give form to the multifarious undead that plague our existence and seem bent on our destruction. However, as shall be argued here, if we can recognise and understand the undead they might not be the end of humanity as we know it, but possibly a way to exist beyond it.
Weitere Infos & Material
Contents: Undead Cultures in the Global Present – Mikel J. Koven: Hereditary (Ari Aster, 2018) – Folk Horror and the Undead – Cristina Santos: La Llorona (Various, 2006–2019) – Mexican Undead – Iain Robert Smith: Go Goa Gone (Raj and D. K., 2013) – Bollywood Undead – John R. Ziegler: Wakening (Danis Goulet, 2013) – Métis-Cree Undead – Naomi Simone Borwein: Killer Native (Bjorn Stewart, 2019) – Australian Aboriginal Undead – Katarzyna Ancuta: Seoul Station (Sang-ho Yeon, 2016) – South Korean Undead – The Undead and Never-ending Present – Dara Downey: The Haunting of Hill House (Mike Flanagan, 2018) – Domestic Undead – Tyler Unsell: The Girl with All the Gifts (Colm McCarthy, 2016) – Undead Classroom – Antares Leask: ZOMBIES 2 (Paul Hoen, 2020) – Anti-racist Undead – Natalie Wilson: Deadgirl (Marcel Sarmiento and Gadi Harel, 2017) – Undead Rape Culture – Brandon R. Grafius: The Nun (Corin Hardy, 2018) – Religious Undead – Laura R. Kremmel: Saint Maud (Rose Glass, 2019) – Medical Undead – Jeffrey Andrew Weinstock: Bubba Ho-tep (Don Coscarelli, 2002) – Ageing and the Undead – Gina Wisker: Relic (Natalie Erika James, 2020) – Undead Heritage – Undying Identity – Leah Richards: AHS: Hotel (Ryan Murphy and Brad Falchuk, 2015–2016) and The Strain (Guillermo del Toro and Chuck Hogan, 2014–2017) – Undead Children – Sara Williams: Suspiria (Luca Guadagnino, 2018) – Undead Motherhood – Valerie Estelle Frankel: Game of Thrones (David Benioff, 2011–2019) – Undead Masculinity – Madeleine Mackenzie: Dorohedoro (Q Hayashida, 2000–2018) – Transgender Undead – Martine Mussies: «The Zombie Mermaid» (Katelynn E. Koontz, 2018) – Undead Mermaids – Gwyneth Peaty: Bloodthirsty (Amelia Moses, 2021) – Undead Celebrity – Antonio Alcala Gonzalez: Behemoth (Nergal and others, 1991–Present) – Extreme Metal and the Undead – Undead Futures – Persephone Braham: Wicked Weeds (Pedro Cabiya, 2011 [trans. 2016]) – Meta Undead – Jay Treagus and Nicola Young: Get Out (Jordan Peele, 2017) – The Undead and Afrofuturism – Mikaela Bobiy: Les Revenants (Fabrice Gobert, 2012–2015) – Environmental Undead – Catherine Pugh: Antisepticeye (Seán McLoughlin, 2016) – Online Undead – IldikóLimpár: Westworld (Lisa Joy and Jonathan Nolan, 2016–Present) – Posthuman Undead – Lorna Piatti-Farnell: Marvel Zombies (Robert Kirkman, Sean Phillips and Arthur Suydam, 2005–2006) – Undead Superheroes – Simon Bacon: The Cloverfield Paradox (Julius Onah, 2018) – Universal Undead – Roger Luckhurst: Epilogue: The Death of Death – Zero K, Don DeLillo (2016).