Ayres / Maier A Vindication of the Redhead

The Typology of Red Hair Throughout the Literary and Visual Arts
1. Auflage 2021
ISBN: 978-3-030-83515-6
Verlag: Springer International Publishing
Format: PDF
Kopierschutz: 1 - PDF Watermark

E-Book, Englisch, 294 Seiten, eBook

Reihe: Progress in Mathematics

A Vindication of the Redhead
 investigates red hair in literature, art, television, and film throughout Eastern and Western cultures. This study examines red hair as a signifier, perpetuated through stereotypes, myths, legends, and literary and visual representations. Brenda Ayres and Sarah E. Maier provide a history of attitudes held by hegemonic populations toward red-haired individuals, groups, and genders from antiquity to the present. Ayres and Maier explore such diverse topics as Judeo-Christian narratives of red hair, redheads in Pre-Raphaelite paintings, red hair and gender identity, famous literary redheads such as 
Anne of Green Gables
 and 
Pippi Longstocking
, contemporary and Neo-Victorian representations of redheads from the Black Widow to 
The Girl with the Dragon Tattoo
, and more. This book illuminates the symbolic significance and related ideologies of red hair constructed in mythic, religious, literary, and visual cultural discourse.

Zielgruppe

Research

Autoren/Hrsg.

Ayres, Brenda

Maier, Sarah E.

Inhaltsverzeichnis

1. Introduction: “Hair is the Woman’s Glory”—Unless It’s Red
.-
2. The Devil Has Red Hair: And So Do Other Dissemblers in Judeo-Christian Narratives.- 3. “Real Are the Dreams”: Red Hairy Incubi and Unheavenly Succubi.- 4.
Les Roux Fatales
: The Plaits of Pre-Raphaelite Redheads.- 5. The Agency of Red Hair on the Mage Gender Equivocal in 
Mr. Rochester, The Little Stranger, The Danish Girl,
and Elsewhere.- 6. “Here we are again!” Red-haired Golems Galore Including Those in
Dan Leno and the Limehouse Golem
.- 7. Tangled Webs of Red Hair from the Grimm Brothers to Kate Morton.- 8. The Other Redheads Throughout Asia and Africa.- 9. Tough Little Red-Headed Orphans: Anne (of Green Gables), Little Orphan Annie, Madeline, and Pippi.- 10. Rebellious Royals: From Disney’s Ariel to Pixar’s Merida.- 11. Neo-Victorian Freakery: Flaming-Haired Women, Art, Dolls, and Detection.- 12. STEAM(y) and Marvel(ous) Women: Agent Scully, Lisbeth Salander, Beth Harmon and the Black Widow.- 13. Epilogue: The Splitting of Red Hairs.

Über Autor(innen)

Brenda Ayres
, now semiretired,

teaches online English courses for Liberty University and Southern New Hampshire University, USA. 
Sarah E. Maier 
is
 
Professor of English and Comparative Literature at the University of New Brunswick Saint John, Canada. 

Ayres and Maier have coedited several collections of essays. The most recent are 
The Theological Dickens
(2021),
Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media
 (Palgrave Macmillan, 2020), 
Neo-Gothic Narratives: Illusory Allusions from the Past 
(2020), 
Animals and Their Children in Victorian Culture 
(2019) and 
Reinventing Marie Corelli for the Twenty-first Century 
(2019).