Ashby The Pleasure of Modernist Music

Listening, Meaning, Intention, Ideology
1. Auflage 2004
ISBN: 978-1-58046-623-3
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 29, 416 Seiten

Reihe: Eastman Studies in Music

An exploration of the meaning of "modernist" music.

Autoren/Hrsg.

Ashby, Arved

Weitere Mitwirkende

Bauer, Amy

Mead, Andrew

Ashby, Arved

Maus, Fred

Sandow, Greg

Tambling, Jeremy

Bernard, Jonathan W.

Lochhead, Judith

Whitesell, Lloyd

Scherzinger, Martin

Boulez, Pierre

Toop, Richard

Bolcom, William

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik

Inhaltsverzeichnis

Intention and Meaning in Modernist Music - Arved Ashby
The End of the Mannerist Century - William Bolcom
A Fine Analysis - Greg Sandow
In Memory of a Receding Dialectic: The Political Relevance of Autonomy and Formalism in Modernist Musical Aesthetics - Martin Scherzinger
Twentieth-Century Tonality, or, Breaking Up Is Hard to Do - Lloyd Whitesell
"Tone-Color, Movement, Changing Harmonic Planes": Cognition, Constraints and Conceptual Blends in Modernist Music - Amy Bauer
Sexual and Musical Categories - Fred Maus
Listening to Schizophrenia: The Wozzeck Case - Jeremy Tambling
The Musician Writes: The Deaf Man Looks On? - Pierre Boulez
"Are You Sure You Can't Hear It?": Some Informal Reflections on Simple Information and Listening - Richard Toop
A Fine Madness - Greg Sandow
"One Man's Signal is Another Man's Noise": Personal Encounters with Post-Tonal Music - Andrew Mead
The "Modernization" of Rock & Roll, 1965-75 - Jonathan W. Bernard
Refiguring the Modernist Program for Hearing: Steve Reich and George Rochberg - Judith Lochhead
Modernism Goes to the Movies - Arved Ashby