Buch, Englisch, 208 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 462 g
From Theory of Narration to Politics of Imagination
Buch, Englisch, 208 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 462 g
Reihe: Routledge Innovations in Political Theory
ISBN: 978-1-032-44974-6
Verlag: Routledge
Through a re-examination of the notions of democracy and emancipation, Senka Anastasova coins the term ‘political narratosophy’, a unique interpretation of the philosophy of narrative, identification, and disidentification, developed in conversation with philosophers Jacques Rancière, Nancy Fraser, and Paul Ricoeur. Utilizing the author’s own identity as a feminist philosopher has lived in socialist Yugoslavia, post-Yugoslavia, and Macedonia (now North Macedonia), Anastasova explores the fluctuating and disappearing borders around which identity is situated in a country that no longer exists. She expertly reveals how the subject finds, makes and unmakes itself through narrativity, politics, and imagination.
Political Narratosophy is an important intervention in political philosophy and a welcome contribution to the historiography on female authors who lived through twentieth century communism and its aftermath. It will be of great interest to scholars and researchers in the fields of political theory, philosophy, women’s studies, international relations, identity studies, (comparative) literary studies, and aesthetics studies.
Zielgruppe
Postgraduate and Undergraduate
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Politikwissenschaft Politikwissenschaft Allgemein Politische Theorie, Politische Philosophie
- Geisteswissenschaften Literaturwissenschaft Europäische Literatur
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein Feminismus, Feministische Theorie
- Sozialwissenschaften Politikwissenschaft Politikwissenschaft Allgemein Politische Geschichte
Weitere Infos & Material
Introduction 1 Political Narratosophy and Narrative – in – Progress 2 Politics of Narrative Structures as Chiasmus Between Fiction and History 3 From Politics of Aesthetics to the Social of Artistic Practices 4 Conclusion