(Re)making Our Past
Buch, Englisch, 240 Seiten, Format (B × H): 145 mm x 222 mm, Gewicht: 4238 g
ISBN: 978-1-137-48732-2
Verlag: Palgrave Macmillan UK
Debates about how to remember politically contested or painful pasts exist throughout the world. As with the case of the Holocaust in Europe and Apartheid in South Africa, South American countries are struggling with the legacy of state terrorism left by the 1970s dictatorships. Coming to terms with the past entails understanding the role different social actors played in those events as well as what those event mean for us today. Young people in these situations have to learn about painful historical events over which there is no national consensus.
This book explores discursive processes of intergenerational transmission of recent history through the case of the Uruguayan dictatorship. The main themes of the book are the discursive construction of social memory and intergenerational transmission of contested pasts through recontextualization, resemiotization and intertextuality.
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
- Sozialwissenschaften Soziologie | Soziale Arbeit Altersgruppen Kinder- und Jugendsoziologie
- Sozialwissenschaften Ethnologie | Volkskunde Ethnologie Sozialethnologie: Familie, Gender, Soziale Gruppen
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Amerikanische Geschichte
Weitere Infos & Material
1. Intergenerational Transmission, Discourse, and the Recent History
2. Narratives as Transmission Tools: Learning about the Dictatorship in Uruguay
3. Family Conversations about the Dictatorship: Appropriating Anecdotes and Taking an Affective Stance
4. Arguments with Peers: Negotiating the Past in the Present
5. Conversations in the History Classroom: Pedagogical Practices in the Transmission of the Recent Past
6. Transmission Processes in Popular Culture: Recontextualization and Resemiotization in Music
7. Appropriating the Recent Past: Meaning Making Processes through Time