Buch, Englisch, Band 73, 276 Seiten, Format (B × H): 160 mm x 239 mm, Gewicht: 558 g
Buch, Englisch, Band 73, 276 Seiten, Format (B × H): 160 mm x 239 mm, Gewicht: 558 g
Reihe: Historical Materialism Book Series
ISBN: 978-90-04-24293-7
Verlag: Brill
Tracing the influence of key philosophical arguments about the nature of time on musical aesthetics, Mark Abel draws on materialist interpretations of art and culture to challenge those, like Adorno, who criticise popular music’s metrical regularity. He concludes that groove does not simply reflect the temporality of contemporary society, but, by incorporating abstract time into its very structure, is capable of effecting a critique of it.
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Introduction: The Meaning of Musical Time
Chapter 1: What is ‘groove’
Chapter 2: Is groove African
Chapter 3: Bergsonism and unmeasurable time
Chapter 4: Schutz’s ‘vivid present’ and the social time of music
Chapter 5: Adorno and reified time
Chapter 6: Meter, groove and the times of capitalism
Chapter 7: History, modernism, and the time of music
Bibliography
Index
Bibliography 351
Index